Modelling creativity: reply to reviewers

摘要

The reviewers of The Creative Mind (henceforth TCM) have raised a host of interesting points. Most fall into seven groups: the definition of creativity; the distinction between H-creativity and P-creativity; the role of the social context; the role of evaluation; the four Lovelace questions; specific computational mechanisms used for modelling creativity; AI-models as aids to creativity; and the treatment of music in TCM. I shall group my replies accordingly.